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Panhida (Stylus)
The writing apparatus such as pens, pencils and paper were not current during the period under reference. A slab of wood in which sand was evenly spread, which was called "Velipillava" on which one has to write with his second finger so that, there by he gains writing skills of the Alphabet and also the techniques of writing. Elder Bhikkus and students too having acquired the writing skills through the above prosess, latter used the stylus in writing Ola books. The Ola leaf is kept on the left thumb and writing is done with right hand, holding the stylus firmly between the first and the second fingers, pressing the point of the stylus hard against the Ola leaf. Subsequently, the Ola leaf was rubbed with black colour so that the styluscuts are filled with the colouring and stand clear and readable.
Dandasanaya (Wooden Rest)
This is the table on which Ola Books were rested and read. It is a collapsible one, a rare specimen of it's kind, and made of wood and rattoned. It's about 275 years old.
Mukkali Bankuwa (Bench)
This is the bench on which the King sat, when he called on Velivita Saranakara Sangharaja, on courtesy calls. This bench is distinct form the conventional benches, in that is stands on three legs, symbolizing the three main characteristics of life namely impermanence, suffering, and soullessness which are common even to the king in spite of all his royal pleasures and powes. This bench to is turned out of Jak wood and is now about 250 years old
Kunama
This was used by King Veera Parakrama Narendrasinga first and during his reign, under the pretext of king's orders, Ganinnanses (the impious ones) with the connivance of the nobility of the day, got Velivita Saranankara Sangharaja and the "Silvath Samagama" (the disciplined group) banished to the hills of Laggala (Matale District). Conincidentlyly, an erudite Brahmin from India arrived in Sri Lanka at this juncture and challenged the indigenous intellectuals for a polemical duel. The standard of learning in the region was at such a low ebb then that no indigenous man would dare come forward and take up the challenge of the foreign erudite, As such and under unavoidable circumstances, the King had to order recalling Velivita Asarana Sarana Saranakara from the hills of Laggala to come and face the situation and take up the challenge immediately. When the Royal Order was brought before Asarana Sarana Saranankara now in the Laggala hills, his immediate response was "It donse't matter where I am beheaded". Yet he was not dicided to take up the invitation. The King, on course with no order by His Majesty himself, he was taken aback. King, there upon, expressing this regret and appoligising for the illegal banishent, immediately dispatched his own trapport the KUNAMA for Velivita Asarana Sarana Saranakara to travel to Kandy and with his "Silwath Samagama" from Laggala hills. Thus having reached Kandy, he entered into debate with the learned brahmin from India, defeated him and preached Dhamma to him and the king. Thereafter, the Kunama was gifted to Velivita Saranakara and he used it for his travelling. The Kunama was in his temple, neglected and with time wooden battons got decayed. With the kind assistance of the Central Cultural Triangle, the Kunama was restored to it's pristine workmanship. This Kunama is about 285 years old
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